The good news: Team Anachronism aka RAP aka Tim Rood, Carol Atack, Tom Phillips (with much help from fellow member MU aka Mathura Umachandran) has today submitted a full draft of Anachronism and Antiquity to Bloomsbury Academic: on time in our internal chronology (mental deadline: March 2019); four weeks late had we read the small print in our contract. Call it timely or untimely, the book will be published next year.
One indication of the topic’s timeliness might be thought to lie in two uses of the word ‘anachronism’ in the New York Review of Books in the month in which our project began. The Irish novelist John Banville wrote that the character of Raymond Chandler’s Los Angeles-based private detective Philip Marlowe ‘appears to us now an anachronism’, owing to his ‘unflagging decency’ as well as ‘the insouciance with which he shows off his chauvinism, his racism, his contempt for “fairies”, and of course his misogyny’. In branding Marlowe an ‘anachronism’ for displaying what are in fact generally seen as the dominant masculine attitudes of the time of his creation, Banville uses the word in a way which (though not uncommon) extends conventional dictionary definitions of the word. The language of anachronism is most commonly applied to people who cling to attitudes and practices that have gone out of fashion, or to those attitudes and practices themselves. Applied to works of fiction, it is still generally used with a historicizing sensitivity, in relation to the period described within the fiction. Since John Banville wrote that review, however, revelations of the mores of contemporary Hollywood have raised the question of just how much of an anachronism Marlowe is.
In whatever domain it is applied, ‘anachronism’ implies a judgement on the direction of history. The politics of anachronism are laid bare with particular clarity when, in the same issue of the NYRB, the historian Keith Thomas observes that subscribers to the ‘resurgent nationalism’ that lay behind the Brexit vote ‘seemed not to appreciate that the idea of an absolutely sovereign nation-state is an anachronism’. Subscribers to that nationalism have clung to their delusion with such insistence that Keith Thomas’ judgement on the course of history itself might seem anachronistic (witness the cover pages of today’s UK tabloids). And in the meantime the period of our project has seen an upsurge of the sort of appeal to ancient exemplarity that some philosophers of history regard as an anachronism in the age of historicism: Thucydides is drawn on for insights as Britain sets out on its Sicilian Expedition, as the chances of staging another vote à la Mytilene Debate are discussed, and as patriots are called traitors.
There is a wood-panelled pub near Anachronism Headquarters which prides itself on a rather old-fashioned ambience: it is not unknown for customers to be told the price of their pint in guineas and shillings. It has a small but pleasant and leafy outdoor area at the back, a pleasant place to meet for a drink (especially on balmy days such as today). Two or three days before 23 June 2016, I met a MSt student there to celebrate his result. Someone at the bar asked the landlord how he was going to vote in the coming referendum. “OUT” was the loud reply.
I will not be going to this pub to celebrate the submission of the book manuscript (the term ‘manuscript’ thankfully being an anachronistic survival); indeed I have not set foot in the pub since that day. The features that seemed quaint now seem grotesque, smacking of the worst sort of nostalgia. So on this of all days ‒ b******s to Brexit, down with anachronism, long live Anachronism and Antiquity.